Infinity RPG Nomads_swmfD1.pdf

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CREDITS
Benn Graybeaton, Jonathan “Killstring” Herzberger, Marc Langworthy, Mark Redacted,
Rodrigo Vilanova, Patrycjusz Piechowski, Giles Pritchard
WRITING
COVER ART
Ho Seng Hui
Toma Feizo Gas, Ho Seng Hui, Bagus Hutomo, André Meister, Oh Wang Jing, Vincent Laik, Vladimir,
Aituar Manas, Cristian Picu, Antone "Chuck" Pires, Kenny Ruiz and Noiry Lee, Qi Wu, Chester Ocampo,
Ignacio Bazán Lazcano, ENIQMA, Pierre Revenau, Gregoire Veaulegere, Kenny Ruiz, Noiry Lee, Ryan Harasim
INTERIOR ARTWORK
Marc Langworthy, Rodrigo Vilanova
ART DIRECTION
Thomas Shook
LAYOUT
INFINITY RPG LOGO
Michal E. Cross
LEAD EDITOR
Kimberly Nugent
CARTOGRAPHY
Jose “Gigio” Esteras
SECTORIAL ARMIES LOGOS
Alberto Abal, Carlos Llauger "Bostria"
and Hugo Rodriguez
T.R. Knight, Marshall Oppel
PROOFREADING
INFINITY LINE DEVELOPER
Benn Graybeaton
ASSISTANT LINE DEVELOPER
Marc Langworthy
Gutier Lusquiños Rodríguez, Alberto Abal, Carlos Torres, and Carlos “Bostria” Llauger
CORVUS BELLI APPROVALS
ORIGINAL 2D20 SYSTEM DESIGN
Jay Little
Benn Graybeaton, Nathan Dowdell, Mark Redacted, Justin Alexander, Marc Langworthy
GAME DESIGN
PRODUCED BY
Chris Birch
HEAD OF RPG DEVELOPMENT
Sam Webb
PUBLISHING ASSISTANT
Virginia Page
PRODUCTION MANAGER
Peter Grochulski
SOCIAL MEDIA MANAGER
Salwa Azar
COMMUNITY SUPPORT
Lloyd Gyan
Thank you to Corvus Belli—Alberto, Gutier, Carlos, and Fernando—for letting us play in your world!
SPECIAL THANKS
Modiphius Entertainment Ltd.
2nd Floor, 39 Harwood Road
Fulham, London, SW6 4QP
United Kingdom
PUBLISHED BY
Modiphius Entertainment Product Number:
MUH050222
ISBN:
978-1-912200-41-2
Artwork & Storyline © Corvus Belli S.L.L. 2018
INFINITY is © Corvus Belli S.L.L. 2018
The
2d20 System
and Modiphius logos are copyright Modiphius Entertainment Ltd 2018. All
2d20
System
text is copyright Modiphius Entertainment Ltd. Any unauthorised use of copyrighted material is
illegal. Any trademarked names are used in a fictional manner; no infringement is intended.
This is a work of fiction. Any similarity with actual people and events, past or present, is purely coincidental
and unintentional except for those people and events described in an historical context.
TABLE OF CONTENTS
INTRODUCTION
REBELS WITH A CAUSE �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 2
Nomads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
What’s in this Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
CHAPTER 4
NOMAD CHARACTERS �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 57
Decision Four: Nomad Status . . . . . . . . . . . . . . . . . . . . . . . . .57
Decision Seven: Nomad Adolescent Event . . . . . . . . . . . . . 58
Decision Eight: Careers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
CHAPTER 1
FACTION: NOMADS �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 4
Nomad Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
The Nomad Military Force . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
CHAPTER 5
NOMAD GEAR �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 67
CHAPTER 2
MOTHERSHIP: BAKUNIN �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½
Climate and Topography. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Economy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Demographics and Culture. . . . . . . . . . . . . . . . . . . . . . . . . . .
Notable Districts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tweaks, Chimera, and Other Biomorphs. . . . . . . . . . . . . . . .
12
12
13
15
18
21
CHAPTER 6
UPLIFTS �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½80
Uplifts in Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
UPLIFT CHARACTERS �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½85
Decision One: Birth Host . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Decision Three: Uplift Mothership . . . . . . . . . . . . . . . . . . . . 88
Decision Four: Uplift Status . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Decision Five: Awakening. . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Decision Eight: Uplift Careers . . . . . . . . . . . . . . . . . . . . . . . . 89
CHAPTER 2�½2
MOTHERSHIP: CORREGIDOR�½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 24
Climate and Topography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Economy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Demographics and Culture. . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Corridors of Corregidor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
The Mothership’s Relationships . . . . . . . . . . . . . . . . . . . . . . . 32
CHAPTER 7
BIOENGINEERING �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½95
Allure of the Undiscovered. . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Custom GeneMod Packages . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Taming the Beast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Monster Mash. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Rebels, Renegades, and Rampaging Monsters . . . . . . . . . 107
CHAPTER 2�½3
MOTHERSHIP: TUNGUSKA�½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½33
Tunguska: A Limited Liability Nation . . . . . . . . . . . . . . . . . . 33
Climate and Topography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Economy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Demographics & Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Quantified Value: Law and Order in Tunguska
. . . . . . . . . . 39
Notable Districts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
CHAPTER 8
ADVERSARIES �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 107
APPENDIX
INDEX �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 118
CHAPTER 3
SOCIAL ENERGY �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ �½ 45
Where It Comes From . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
What it Does. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
How it works. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Quantronic Battlegrounds . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Acting Out: Rules for Social Energy . . . . . . . . . . . . . . . . . . . 54

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