All Rights Reversed.pdf

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©
1987
by Antero
AlIi
qUotations embodied in critical articles and reviews.
ISBN:
0-941404-81-1
All
rights reserved. No part of this book, in part or in whole, may be reproduced,
transmitted, or utilized, in any form or by any means, electronic or mechanical,
illciuding photocopying, recording, or by any information storage and retrieval
sYstem, without permission in writing from the publisher, except for brief
Library of Congress Card Catalog Number:
87-50537
Copyright Registration Number: TX
2-008-582
ANGEL TECH:
A
Modern
Shaman's Guide to Reality Selection
mE AKASIllC RECORD PLAYER:
A Non-Stop Geomantic Romance
CHAPEL PERILOUS:
Dreaming Phases For
Lovers
(stage play)
AS THE WORM TURNS:
A Psychic Soap Opera
(radio play)
ASTRO*TURF:
Down-To-Earth Astrology
THE 21st CENTURY TAROT
OTHER TITLES BY THE AUTHOR
PhotoMontages in this book by Antero
Typesetting: MacIntosh
Occasional Art by Christi
Font: Laser Palatino
Cover Art
©1988
Wolfgang Gersch, METAART STUDIO
1115 32nd
Street, Oakland, CA
94608, 415-652-2210
Layout Design by Antero
Limited First Edition
1986
Second Revised Edition
1987
VIGILANTERO PRESS
P.O. Box
7513
Boulder CO
80306
-
-
First Falcon Press Edition
1988
FALCON PRESS
3660
N. 3rd St.
Phoenix, Arizona
85012
(602) 246-3546
-
Manufactured in the United States of America
ACKNOWLED GEMENTS
The section of ALL RITES REVERSED dedicating itself to
ritual theatre
emerged as a ten-year personal response to certain key prin ciples
in troduced by David Rosenbloom during the Spring of
1976
in Berkeley,
Ca lifornia. Th e keys of NO-F ORM, CONTA C T P OINT a n d
POLARIZATIONS were presen ted b y David t o a handful of participants
experimen ting with accessing spiritual sources in the body, primarily for
self-knowledge. If it wasn 't for David 's inspired and deliberate role as
initiator to these principles, the current medium of ritual theatre may never
have come to pass. Thank you, David, wherever you are . . .
Throughout the history o f this medium of ritual theatre, other key
individuals indirectly and /or directly shaped its destiny and they are:
JERZY GROTOWSKl...for his pioneering work & brilliant blue light
ANTONIN ARTAUD ... for burning his tragic flaws so brightly
WILLIAM BLAKE .. .for so vividly envisioning the archetypes we all met
CHRISTOPHER S. HYATT . . .for the initiations and your menacing clarity
CARL C . JUNG . . . for his seminal literature on alchemical process
CHAMBER THEATRE TROUPE .. .for your dilligence, grace,& the eternal
JANE BROWN .. .for engaging the values of relaxation, form and gravity
KEITH BERGER .. .for your early training, a lasting friendship & the future
SIMA WOLF .. .for fusing her sparkling, broken ballerina into the medium
ROBERT GREENWAY .. .for the invitation to legitimatize this work
NANCY LUNNEY /ESALEN .. .for bringing ritual theatre to Esalen
JOSE ARGUELLES . . . for waking up in a Mayan temple & living to tell it
G. GURDJIEFF .. .for the presence he instilled in the words that he spoke
URSA MAJOR (Allegra, Jim & John) .. .for our experimental designs
%ay tliis space etrPress my deepest gratitude to
CONTENTS
1
PREFACE
by Robert Anton Wilson, Ph.D.
3
AUTHOR'S INTENT
RITUAL TECHNOLOGY FOR SELF-INITIATI ON
by
Antero AlIi
8
THE FIRST RITUAL
Principles of Ritual Theatre
18
RITUAL PREPARATION
Guidelines For Entering Work
37
RITUAL FUNCTIONS
An Association of Techniques
44
RITUAL DESIGN
Three Levels of Work
48
Levell: INITIATIONS
The Internal Landscape
59
Level II: DARK RITES
(Of
The SouD
Endurance
70
Level III: ILLUMINATIONS
Clarity of Forms

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