28. Barbara Baert, Anita Traninger - Disembodied Heads in Medieval and Early Modern Culture (Intersections, Book 28) [Retail].pdf

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Disembodied Heads in
Medieval and Early Modern Culture
Interdisciplinary Studies in Early Modern Culture
General Editor
Chair of Medieval and Neo-Latin Literature
Westfälische Wilhelmsuniversität Münster
e-mail: kenen_01@uni_muenster.de
Editorial Board
Intersections
Karl A.E. Enenkel
W. van Anrooij
(University of Leiden)
W. de Boer
(Miami University)
K.A.E. Enenkel
(University of Münster)
J.L. de Jong
(University of Groningen)
W.S. Melion
(Emory University)
K. Murphy
(University of Oxford)
W. Neuber
(NYU Abu Dhabi)
P.J. Smith
(University of Leiden)
A. Traninger
(Freie Universität Berlin)
C. Zittel
(Freie Universität Berlin)
VOLUME 28 – 2013
The titles published in this series are listed at brill.com/inte
Disembodied Heads in
Medieval and Early Modern
Culture
Edited by
Catrien Santing, Barbara Baert &
Anita Traninger
LEIDEN • BOSTON
2013
Cover illustration:
Anonymous (Seville), Heads of Paul, John the Baptist and Jacob, 1660–1670.
Dresden, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden.
Library of Congress Cataloging-in-Publication Data
Disembodied heads in medieval and early modern culture / edited by Catrien Santing, Barbara
Baert & Anita Traninger.
  pages cm — (Intersections ; volume 28)
 Outcome of a two-day conference held at the Academia Belgica and the Royal Dutch Institute
at Rome.
 Includes bibliographical references and index.
 ISBN 978-90-04-25354-4 (hardback : alk. paper) — ISBN 978-90-04-25355-1 (e-book) 
1. Head—Social aspects—Congresses. 2. Human body—Social aspects—Congresses.
I. Baert, Barbara, editor of compilation. II. Traninger, Anita, editor of compilation. III. Santing,
Catrien, editor of compilation.
 GT498.H43D58 2013
 306.4_dc23
2013019689
This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters
covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the
humanities. For more information, please see www.brill.com/brill-typeface.
ISSN 1568-1181
ISBN 978-90-04-25354-4 (hardback)
ISBN 978-90-04-25355-1  (e-book)
Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands.
Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing,
IDC Publishers and Martinus Nijhoff Publishers.
All rights reserved. No part of this publication may be reproduced, translated, stored in
a retrieval system, or transmitted in any form or by any means, electronic, mechanical,
photocopying, recording or otherwise, without prior written permission from the publisher.
Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV
provided that the appropriate fees are paid directly to The Copyright Clearance Center,
222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.
Fees are subject to change.
This book is printed on acid-free paper.
CONTENTS
Acknowledgements  ........................................................................................
Notes on the Editors  ......................................................................................
Notes on the Contributors  ...........................................................................
List of Illustrations ..........................................................................................
Introduction  .....................................................................................................
Catrien Santing and Barbara Baert
Adam’s Skull  .....................................................................................................
Marina Montesano
Talking Heads, or, A Tale of Two Clerics  ................................................
Robert Mills
The Meaning of the Head in High Medieval Culture  ..........................
Esther Cohen
Securing the Sacred Head: Cephalophory and Relic Claims  .............
Scott B. Montgomery
The
Johannesschüssel
as
Andachtsbild:
The Gaze, The Medium
and The Senses  ...........................................................................................
Barbara Baert
Chasing the
Caput.
Head Images of John the Baptist in a Political
Conflict  ..........................................................................................................
Mateusz Kapustka
The Self-Portrait ‘En Décapité’: Interpreting Artistic
Self-Insertion  ...............................................................................................
Arjan R. de Koomen
Capita Selecta in
Historia Sacra.
Head Relics in Counter
Reformation Rome (ca. 1570–ca. 1630)  ................................................
Jetze Touber
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