54. Karl A. E. Enenkel, Anita Traninger - The Figure of the Nymph in Early Modern Culture (Intersections, Book 54) [Retail WM].pdf

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The Figure of the Nymph in Early Modern Culture

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Intersections

Interdisciplinary Studies in Early Modern Culture

General Editor

Karl A.E. Enenkel (Chair

of Medieval and Neo-Latin Literature

Westfälische Wilhelms-Universität Münster

e-mail: kenen_01@uni_muenster.de)

Editorial Board

W. van Anrooij (University

of Leiden)

W. de Boer (Miami

University)

Chr. Göttler (University

of Bern)

J.L. de Jong (University

of Groningen)

W.S. Melion (Emory

University)

R. Seidel (Goethe

University Frankfurt am Main)

P.J. Smith (University

of Leiden)

J. Thompson (Queen’s

University Belfast)

A. Traninger (Freie

Universität Berlin)

C. Zittel (University

of Stuttgart)

C. Zwierlein (University

of Bamberg)

VOLUME 54 – 2018

The titles published in this series are listed at

brill.com/inte

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The Figure of the Nymph in

Early Modern Culture

Edited by

Karl A.E. Enenkel

Anita Traninger

LEIDEN | BOSTON

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Cover illustration: Jan Gossaert,

Salmacis and Hermaphroditus,

ca. 1517. Oil on panel, 32,5 × 21 cm. Rotterdam,

Museum Boijmans Van Beuningen, Rotterdam / photographer: Studio Tromp, Rotterdam. (See also chapter 3

by Karl Enenkel in this volume.)

Library of Congress Cataloging-in-Publication Data

Names: Enenkel, K. A. E., editor.

Title: The figure of the nymph in early modern culture / edited by Karl A.E.

Enenkel, Anita Traninger.

Description: Leiden ; Boston : Brill, 2018. | Series: Intersections :

interdisciplinary studies in early modern culture, ISSN 1568–1181 ;

volume 54 | Includes bibliographical references and index.

Identifiers: LCCN 2017061439 (print) | LCCN 2018007827 (ebook) |

ISBN 9789004364356 (E-book) | ISBN 9789004351844 (hardback : alk. paper)

Subjects: LCSH: Nymphs (Greek deities)

Classification: LCC BL820.N95 (ebook) | LCC BL820.N95 F54 2018 (print) |

DDC 700/.475—dc23

LC record available at http://lccn.loc.gov/2017061439

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

issn 1568-1181

isbn 978-90-04-35184-4 (hardback)

isbn 978-90-04-36435-6 (e-book)

Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi,

Brill Sense and Hotei Publishing.

or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise,

without prior written permission from the publisher.

Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided

that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive,

Suite 910, Danvers, MA 01923, USA. Fees are subject to change.

This book is printed on acid-free paper and produced in a sustainable manner.

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Contents

Acknowledgements ix

Notes on the Editors x

Notes on the Contributors xii

List of Illustrations xvi

1 Introduction: The Figure of the Nymph in Early Modern Culture 1

Anita Traninger and Karl A.E. Enenkel

Part 1

Nymphs between the Visual Arts and Literature

2 Pleasures of the Imagination: Narrating the Nymph, from Boccaccio to

Lope De Vega 15

Anita Traninger

3 Salmacis, Hermaphrodite, and the Inversion of Gender: Allegorical

Interpretations and Pictorial Representations of an Ovidian Myth,

ca. 1300–1770 53

Karl Enenkel

4 The Sleeping Nymph Revisited: Ekphrasis,

Genius Loci

and Silence 149

Barbara Baert

5 ‘Who, Then, is the “Nympha”?’ An Iconographic Analysis of the Figure

of the Maid in the Tornabuoni Frescoes 177

Agata Anna Chrzanowska

Part 2

Literary Representations

6 Lamenting, Dancing, Praising: The Multilayered Presence of Nymphs in

Florentine Elegiac Poetry of the Quattrocento 195

Christoph Pieper

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