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IDENTITY, OTHERNESS AND EMPIRE IN
SHAKESPEARE’S ROME
ANGLO-ITALIAN RENAISSANCE STUDIES SERIES
Series Editors
General Editor: Michele Marrapodi, University of Palermo, Italy
Advisory Editors: Keir Elam, University of Bologna, Italy
Robert Henke, Washington University, USA
This series aims to place early modern English drama within the context of the
European Renaissance and, more specifically, within the context of Italian cultural,
dramatic, and literary traditions, with reference to the impact and influence of both
classical and contemporary culture. Among the various forms of influence, the
series considers early modern Italian novellas, theatre, and discourses as direct or
indirect sources, analogues and paralogues for the construction of Shakespeare’s
drama, particularly in the comedies, romances, and other Italianate plays. Critical
analysis focusing on other cultural transactions, such as travel and courtesy books,
the arts, fencing, dancing, and fashion, will also be encompassed within the scope
of the series. Special attention is paid to the manner in which early modern English
dramatists adapted Italian materials to suit their theatrical agendas, creating new
forms, and stretching the Renaissance practice of
contaminatio
to achieve, even
if unconsciously, a process of rewriting, remaking, and refashioning of ‘alien’
cultures. The series welcomes both single-author studies and collections of essays
and invites proposals that take into account the transition of cultures between the
two countries as a bilateral process, paying attention also to the penetration of
early modern English culture into the Italian world.
FORTHCOMING TITLES IN THE SERIES
Old Age, Masculinity, and Early Modern Drama
Comic Elders on the Italian and Shakespearean Stage
Anthony Ellis
Machiavelli in the British Isles
Two Early Modern Translations of
The Prince
Alessandra Petrina
Courtesans, Shakespeare and Early Modern Drama
Duncan James Salkeld
Identity, Otherness and Empire in
Shakespeare’s Rome
Edited by
MARIA DEL SAPIO GARBERO
Università Roma Tre, Italy
ROUTLEDGE
Routledge
TAYLOR & FRANCIS GROUP
Taylor & Francis Group
irst published 2009 by Ashgate Publishing
Published 2016 by Routledge
2 Park S uare, Milton Park, Abingdon, Oxon O 14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor
rancis roup, an informa business
Copyright © Maria Del Sapio Garbero and the contributors 2009
Maria Del Sapio Garbero has asserted her right under the Copyright, Designs and Patents
Act, 1988, to be identified as the editor of this work.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in
any form or by any electronic, mechanical, or other means, now known or hereafter
invented, including photocopying and recording, or in any information storage or
retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are
used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
Identity, otherness and empire in Shakespeare’s Rome. –
(Anglo–Italian Renaissance studies) 1. Shakespeare, William, 1564–1616–Knowledge–
Rome. 2. Shakespeare, William, 1564–1616–Criticism and interpretation. 3. Rome–In
literature. I. Series II. Del Sapio Garbero, Maria.
822.3’3–dc22
Library of Congress Cataloging–in–Publication Data
Del Sapio Garbero, Maria.
Identity, otherness and empire in Shakespeare’s Rome / Maria Del Sapio Garbero.
p. cm. – (Anglo–Italian Renaissance studies)
Includes bibliographical references and index.
ISBN 978-0-7546-6648-6 (alk. paper)
1. Shakespeare, William, 1564–1616–Criticism and interpretation. 2. Shakespeare, William,
1564–1616–Knowledge–Rome. 3. Historical drama, English–History and criticism. 4. English
drama–Roman influences. 5. Rome–In literature. 6. National characteristics in literature.
7. Other
(Philosophy) in literature. I. Title.
PR3069.R6D46 2009
822.3’3–dc22
2009005304
ISBN
9780754666486 (hbk)
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