Michele Marrapodi - Shakespeare and the Italian Renaissance. Appropriation, Transformation, Opposition (Anglo-Italian Renaissance Studies) [Retail].pdf

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SHAKESPEARE AND THE

ITALIAN RENAISSANCE

ANGLO-ITALIAN RENAISSANCE STUDIES SERIES

Series Editors

General Editor: Michele Marrapodi, University of Palermo, Italy

Advisory Editors: Keir Elam, University of Bologna, Italy

Robert Henke, Washington University, USA

This series aims to place early modern English drama within the context of the

European Renaissance and, more specifically, within the context of Italian cultural,

dramatic, and literary traditions, with reference to the impact and influence of both

classical and contemporary culture. Among the various forms of influence, the

series considers early modern Italian novellas, theatre, and discourses as direct or

indirect sources, analogues and paralogues for the construction of Shakespeare’s

drama, particularly in the comedies, romances, and other Italianate plays. Critical

analysis focusing on other cultural transactions, such as travel and courtesy books,

the arts, fencing, dancing, and fashion, will also be encompassed within the scope

of the series. Special attention is paid to the manner in which early modern English

dramatists adapted Italian materials to suit their theatrical agendas, creating new

forms, and stretching the Renaissance practice of

contaminatio

to achieve, even

if unconsciously, a process of rewriting, remaking, and refashioning of ‘alien’

cultures. The series welcomes both single-author studies and collections of essays

and invites proposals that take into account the transition of cultures between the

two countries as a bilateral process, paying attention also to the penetration of

early modern English culture into the Italian world.

OTHER TITLES IN THE SERIES

Shakespeare and Renaissance Literary Theories

Anglo-Italian Transactions

Edited by Michele Marrapodi

Italian Culture in the Drama of Shakespeare and His Contemporaries

Rewriting, Remaking, Refashioning

Edited by Michele Marrapodi

The Perfect Genre. Drama and Painting in Renaissance Italy

Kristin Phillips-Court

Appropriation, Transformation, Opposition

Shakespeare and the

Italian Renaissance

Edited by

MICHELE MARRAPODI

University of Palermo, Italy

Routledge

Taylor & Francis Group

ROUTLEDGE

LONDON AND NEW YORK

First published 2014 by Ashgate Publishing

Published 2016 by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

711 Third Avenue, New York, NY 10017, USA

Routledge is an imprint of the Taylor & Francis Group, an informa business

Michele Marrapodi has asserted his right under the Copyright, Designs and Patents Act,

1988, to be identified as the editor of this work.

any form or by any electronic, mechanical, or other means, now known or hereafter

invented, including photocopying and recording, or in any information storage or

retrieval system, without permission in writing from the publishers.

Notice:

Product or corporate names may be trademarks or registered trademarks, and are

used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

The Library of Congress has cataloged the printed edition as follows:

Shakespeare and the Italian Renaissance : Appropriation, Transformation, Opposition /

edited by Michele Marrapodi.

pages cm.—(Anglo-Italian Renaissance studies)

Includes bibliographical references and index.

ISBN 978-1-4724-4839-2 (hardcover : alk. paper)

1. Shakespeare, William, 1564–1616—Knowledge—Italy. 2. English drama—Early

modern and Elizabethan, 1500–1600—History and criticism. 3. English drama—17th

century—History and criticism. 4. English drama—Italian influences. 5. Renaissance—

Italy. 6. Italy—In literature. I. Marrapodi, Michele, editor.

PR3069.I8S498 2015

822.3’3—dc23

2014026180

ISBN: 9781472448392 (hbk)

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