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Shakespeare and Venice
Graham Holderness
SHAKESPEARE AND VENICE
ANGLO-ITALIAN RENAISSANCE STUDIES SERIES
Series Editors
General Editor: Michele Marrapodi, University of Palermo, Italy
Advisory Editors: Keir Elam, University of Bologna, Italy
Robert Henke, Washington University, USA
This series aims to place early modern English drama within the context of the
European Renaissance and, more specifically, within the context of Italian cultural,
dramatic, and literary traditions, with reference to the impact and influence of both
classical and contemporary culture. Among the various forms of influence, the
series considers early modern Italian novellas, theatre, and discourses as direct or
indirect sources, analogues and paralogues for the construction of Shakespeare’s
drama, particularly in the comedies, romances, and other Italianate plays. Critical
analysis focusing on other cultural transactions, such as travel and courtesy books,
the arts, fencing, dancing, and fashion, will also be encompassed within the scope
of the series. Special attention is paid to the manner in which early modern English
dramatists adapted Italian materials to suit their theatrical agendas, creating new
forms, and stretching the Renaissance practice of
contaminatio
to achieve, even
if unconsciously, a process of rewriting, remaking, and refashioning of ‘alien’
cultures. The series welcomes both single-author studies and collections of essays
and invites proposals that take into account the transition of cultures between the
two countries as a bilateral process, paying attention also to the penetration of
early modern English culture into the Italian world.
OTHER TITLES IN THE SERIES
A Bibliographical Catalogue of Italian Books Printed in England, 1558–1603
Compiled by Soko Tomita
Shakespeare, Politics, and Italy:
Intertextuality on the Jacobean Stage
Michael J. Redmond
Courtesans, Shakespeare, and Early Modern Drama
Duncan James Salkeld
Italian Culture in the Drama of Shakespeare & His Contemporaries
Edited by Michele Marrapodi
Shakespeare and Venice
GRAHAM HOLDERNESS
University of Hertfordshire, UK
First published 2010 by Ashgate Publishing
Published 2016 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright
©
2010
Graham Holderness
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form
or by any electronic, mechanical, or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or retrieval system, without
permission in writing from the publishers.
Graham Holderness has asserted his right under the Copyright, Designs and Patents Act,
1988, to be identified as the author of this work.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for
identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
Holderness, Graham.
Shakespeare and Venice. – (Anglo-Italian Renaissance studies)
1. Venice (Italy) – In literature. 2. Shakespeare, William, 1564–1616 – Knowledge –
Venice (Italy) 3. Shakespeare, William, 1564–1616. Merchant of Venice. 4. Shakespeare,
William, 1564–1616. Othello. 5. Shakespeare, William, 1564–1616 – Criticism and
interpretation. 6. Venice (Italy) – Religion.
I. Title II. Series
822.3’3–dc22
Library of Congress Cataloging-in-Publication Data
Holderness, Graham.
Shakespeare and Venice / by Graham Holderness.
p. cm.—(Anglo-Italian Renaissance studies)
Includes index.
1. Venice (Italy)—In literature. 2. Shakespeare, William, 1564–1616—Criticism
and interpretation. 3. Shakespeare, William, 1564–1616—Knowledge—Venice (Italy)
4. Shakespeare, William, 1564–1616. Merchant of Venice. 5. Shakespeare, William,
1564–1616. Othello. I. Title.
PR3069.I8H63 2010
822.3’3—dc22
ISBN 9780754666066 (hbk)
ISBN
9781315608679
(ebk)
2010019968

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