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VISIONS OF VENICE IN SHAKESPEARE
ANGLO-ITALIAN RENAISSANCE STUDIES SERIES
Series Editors
General Editor: Michele Marrapodi, University of Palermo, Italy
Advisory Editors: Keir Elam, University of Bologna, Italy
Robert Henke, Washington University, USA
This series aims to place early modern English drama within the context of the
European Renaissance and, more specifically, within the context of Italian cultural,
dramatic, and literary traditions, with reference to the impact and influence of both
classical and contemporary culture. Among the various forms of influence, the
series considers early modern Italian novellas, theatre, and discourses as direct or
indirect sources, analogues and paralogues for the construction of Shakespeare’s
drama, particularly in the comedies, romances, and other Italianate plays. Critical
analysis focusing on other cultural transactions, such as travel and courtesy books,
the arts, fencing, dancing, and fashion, will also be encompassed within the scope
of the series. Special attention is paid to the manner in which early modern English
dramatists adapted Italian materials to suit their theatrical agendas, creating new
forms, and stretching the Renaissance practice of
contaminatio
to achieve, even
if unconsciously, a process of rewriting, remaking, and refashioning of ‘alien’
cultures. The series welcomes both single-author studies and collections of essays
and invites proposals that take into account the transition of cultures between the
two countries as a bilateral process, paying attention also to the penetration of
early modern English culture into the Italian world.
OTHER TITLES IN THE SERIES
A Bibliographical Catalogue of Italian Books Printed in England, 1558–1603
Compiled by Soko Tomita
Shakespeare, Politics, and Italy:
Intertextuality on the Jacobean Stage
Michael J. Redmond
Courtesans, Shakespeare, and Early Modern Drama
Duncan James Salkeld
Italian Culture in the Drama of Shakespeare & His Contemporaries
Edited by Michele Marrapodi
Machiavelli in the British Isles
Alessandra Petrina
Visions of Venice in Shakespeare
Edited by
Laura Tosi
Ca’ Foscari University of Venice
Shaul Bassi
Ca’ Foscari University of Venice
Routledge
Taylor & Francis Group
ROUTLEDGE
LONDON AND NEW YORK
First published
2011
by Ashgate Publishing
Published 2016 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright
© 2011 Laura Tosi and Shaul Bassi
Laura Tosi and Shaul Bassi have asserted their rights under the Copyright, Designs and
Patents Act, 1988, to be identified as the editors of this work.
All rights reserved. No part of this book may be reprinted or reproduced or utilised
in any form or by any electronic, mechanical, or other means, now known or
hereafter invented, including photocopying and recording, or in any information
storage or retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks,
and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
Visions of Venice in Shakespeare. – (Anglo-Italian Renaissance studies)
1. Shakespeare, William, 1564–1616 – Knowledge – Venice. 2. Shakespeare, William,
1564–1616 – Settings. 3. Shakespeare, William, 1564–1616. Merchant of Venice.
4. Shakespeare, William, 1564–1616. Othello. 5. Venice (Italy) – In literature.
I. Series
822.3’3–dc22
Library of Congress Cataloging-in-Publication Data
Visions of Venice in Shakespeare / edited by Laura Tosi and Shaul Bassi.
p. cm. — (Anglo-Italian Renaissance studies)
Includes bibliographical references and index.
1. Venice (Italy)—In literature. 2. Shakespeare, William, 1564–1616—Knowledge—
Venice (Italy) 3. Shakespeare, William, 1564–1616. Merchant of Venice. 4. Shakespeare,
William, 1564–1616. Othello. I. Tosi, Laura, 1966– II. Bassi, Shaul.
PR3069.I8V57 2011
822.3’3—dc22
2010025850
ISBN 9781409405474 (hbk)

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