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Refocusing Chaplin
A Screen Icon through Critical Lenses
Edited by Lawrence Howe,
James E. Caron, and Benjamin Click
THE SCARECROW PRESS, INC.
Lanham • Toronto • Plymouth, UK
2013
Published by Scarecrow Press, Inc.
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706
www.rowman.com
10 Thornbury Road, Plymouth PL6 7PP, United Kingdom
Copyright © 2013 by Scarecrow Press
All rights reserved.
No part of this book may be reproduced in any form or by any
electronic or mechanical means, including information storage and retrieval systems,
without written permission from the publisher, except by a reviewer who may quote
passages in a review.
British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Refocusing Chaplin : a screen icon through critical lenses / edited by Lawrence Howe, James E.
Caron, and Benjamin Click.
pages cm
Includes bibliographical references and index.
ISBN 978-0-8108-9225-5 (cloth : alk. paper) — ISBN 978-0-8108-9226-2 (ebook)
1. Chaplin, Charlie, 1889–1977—Criticism and interpretation. I. Howe, Lawrence, 1952–, editor of
compilation. II. Caron, James Edward, 1952–, editor of compilation. III. Click, Benjamin, 1958–,
editor of compilation.
PN2287.C5R46 2013
791.4302'8092—dc23
2013018734
TM
The paper used in this publication meets the minimum requirements of American
National Standard for Information Sciences Permanence of Paper for Printed Library
Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
Contents
Preface: Why Refocus Chaplin?
Acknowledgments
Introduction: The Enduring Appeal of Chaplin and Charlie
Charles Maland
1
Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological
Everyman: Or How Bodily Intelligence Manifests the Personae,
Styles, and Fable of Slapstick
James E. Caron
2
Chaplin and the Static Image: A Barthesian Analysis of the
Visual in
My Trip Abroad
and “A Comedian Sees the World”
Lisa Stein Haven
3
A Heart of Gold: Charlie and the Dance Hall Girls
Cynthia J. Miller
4
American Masculinity and the Gendered Humor of Chaplin’s
Little Tramp
Lawrence Howe
5
In the Shadow of Machines:
Modern Times
and the Iconography
of Technology
A. Bowdoin Van Riper
6
Deconstruction and the Tramp: Marxism, Capitalism, and the
Trace
Randall L. Gann
7
Chaplin’s Presence
Rachel Joseph
iii
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xv
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83
105
121
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