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Black & White Photography
A Basic Manual
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Sally Mann,
Crabbing at Pauley’s,
1989
The moody quality of Mann’s family photographs is due in part to her choice to work in
black-and-white rather than color. Regardless of when they were taken, black-and-white
pictures often have a timeless quality, invoking an atmosphere or memory of a time past.
© Sally Mann; courtesy of Edwynn Houk Gallery, New York, NY.
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Black & White Photography
A Basic Manual
Th i r d R e v i s e d E d i t i o n
Henry Horenstein
Rhode Island School of Design
Little, Brown and Company
New York Boston
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This book is dedicated to Rick Steadry, my first photography teacher,
who taught me a lot about taking pictures and even more about teaching.
www.bw-photography.net
Copyright © 2005 by Henry Horenstein
All photographs © Henry Horenstein unless otherwise credited
All rights reserved. No part of this book may be reproduced in any form or by any electronic or
mechanical means, including information storage and retrieval systems, without permission in writing
from the publisher, except by a reviewer who may quote brief passages in a review.
Third Edition
Little, Brown and Company
Time Warner Book Group
1271 Avenue of the Americas, New York, NY 10020
Visit our Web site at
www.twbookmark.com
The Library of Congress has cataloged the previous edition as follows:
Horenstein, Henry.
Black and white photography.
Bibliography:
Includes index.
1. Photography. I. Title.
TR146.H793
1983
ISBN 0-316-37305-2 (pb)
770'.28
82-24967
PB: 10 9 8 7 6 5 4 3 2 1
Production by Books By Design, Inc., Cambridge, Massachusetts:
Design and layout by Janis Owens; Illustrations and layout by Carol Keller;
Copy editing by Nancy Burnett and Alison Fields
[Binder’s code tk]
Printed in China
Timothy Garrett,
Pain,
1997
There are many ways to make interesting photographs, and not all require buying a sophisticated
camera. Garrett makes his photographs in an old-fashioned photo booth that quickly produces four
images, one after the other. Although he doesn’t have to worry much about technical matters, such as
focus and exposure, he does have to plan each session with care to make the four pictures work
together in sequence. © Timothy Garrett; courtesy of the artist.
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Contents
1
2
3
4
5
6
7
8
9
10
11
12
Beginnings
Camera Types
Black-and-White Film
The Camera Lens
The Shutter
Film Exposure
Camera Accessories
Lighting
Film Developing
Making the Print
Other Approaches
Finishing the Print
Index
2
10
22
32
56
68
98
112
128
160
208
228
246

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